In today’s post, potter and glaze expert John Britt explains how he has successfully developed glazes from materials found in roadway cuts. He also shares some resources for finding out just what exactly you’ll find in the roadside cuts in your areas. And of course, he shares his roadside recipes.
When potter John Britt was approached by Lindsey Elsey, a student who was looking for a research partner on a study of Peach Bloom glazes, he gladly signed on. Six hundred test tiles later, John and Lindsey uncovered some of the secrets to developing gorgeous peach bloom surfaces. In this excerpt from the October 2010 issue of Ceramics Monthly, they share the results of their research, and a bunch of Peach Bloom glaze recipes.
The Many Layers of Kiln Wash: How to Find the Best Kiln Wash for Your Firing Temperature and Methods
In this post, John Britt explains that giving a bit more consideration to kiln wash might help potters avoid some of the common kiln wash headaches – like scraping cracked kiln wash off shelves or lamenting an otherwise perfect piece that was ruined by a flake of kiln wash. Plus he shares some kiln wash recipes for various firing techniques.
As John Britt points out in today’s post, firing to cone 6 reduction is cheaper, faster, and the results can be almost indistinguishable from high fire.
In the May 2007 issue of ,
John Britt contributed an essay to the Comment column, which suggests
simple changes that potters can make in their studio habits to help
make their practice more Earth friendly. I am excerpting a couple of
highlights from his essay here.