Firing is the most critical part of the ceramics process because it is the one thing that makes clay durable, hence ceramic. This article presents some of the principles of firing and getting the best results with electric kilns.
Fairbanks Fairbanks Potters Guild www.fairbankspotters.org
If you enjoy handbuilding, then Handbuilding Techniques is one book you’ll definitely want in your collection. This Ceramic Arts Handbook brings together the most creative techniques, tips, and projects from dozens of experts published in Pottery Making Illustrated and Ceramics Monthly. Illustrated with hundreds of step-by-step images, Handbuilding Techniques gives you all the how-to information you need to explore new methods and expand your skills. Written for intermediate to advanced potters, this book promises to move you into an exciting world of inspired creativity.
Ceramic glazes and underglazes are varied and wondrous concoctions. Because they can be complex, as well as for ease of use and time savings, most of us use commercial ceramic glazes to some extent. Chances are, even if you are a ceramic-glaze-mixing master, you have a few commercial ceramic glazes or underglazes around the studio for specific pottery applications. Here are several approaches and techniques to successfully identifying, applying and firing commercial ceramic glazes and underglazes.
Back by popular demand!
(with a whole new look!)
The first printing of Cone 5-6 Glazes: Materials & RecipesÂ sold out quickly, but we’re happy to announce that it is back in print in a beautiful new format. This best sellerÂ brings together some of the top glaze experts in ceramics to provide you with all the information you need to create successful glazes for your pots.
Since humans first began to understand how fire hardened clay, we have been making ceramics, both in pits and in wood kilns. Now, with so many fuel options available to the potter, wood-fired kilns are more of a choice than a necessity. While wood firing isn’t easy, the results are incomparable. The work in wood kilns reveals the story of the firing, with pieces showing ash deposits and the path of the flame through the kiln. But not all wood kilns are built alike. Some are made for flashing from the flame, some are made for melted rivulets of ash and others still are designed to bury the ware in ash and make it crusty and craggy. Regardless of your wood-firing aesthetic, the wood kiln plans and diagrams in this helpful guide will show you several ways to get started understanding and building wood kilns.
When you put a ball of clay in your hands, you just want to start making something—it’s so natural it’s uncanny. And while equipment is used to make a lot of the pottery in the world, using just your hands or a simple paddle and rolling pin can produce awesome results! Discover how to make pottery using three simple techniques, but with a twist. Make a pinch pot really big, make coil pottery from flat coils, save a step and make leather hard hump molds instead of ceramic bisque molds, use a paper plate as a press mold, or make square slab pots with great textures. All you need is a ball of clay in your hands. It’s all here in a free download – Five Great Handbuilding Techniques: Variations on Classic Techniques for Making Contemporary Handbuilt Pottery.
This updated and revised Ceramic Arts Handbook edition of Advanced Raku Techniques contains information on forming, glazes and glazing, kiln construction and firing, as well as inspirational stories from some of the most influential raku artists working today. For any potter who has experienced the excitement and immediacy of the raku process, this book is a must.