In today’s post, Annie Chrietzberg explains how potter Cynthia Guajardo mixes linocut printing with clay. It’s a fantastic method for creating repeatable customized texture on pottery.
I have to admit, glazing is not my favorite part of the ceramic process. It’s probably because of its potential to make or break a good pot (and believe me, I have broken quite a few with poor glaze application). I tend to be a bit of a sloppy glazer and I sometimes rush through it a little more quickly than I should. Denver, Colorado ceramic artist Annie Chrietzberg is the polar opposite of me in the glaze room: methodical and precise. I know my glazing outcomes could be greatly improved if I followed just a couple of Annie’s tips, so I thought I would share them with the community. Hopefully you will benefit from Annie’s advice too!
Today, Annie Chrietzberg explains how Lana Wilson uses bisque stamps, textured materials, rolling, and paddling to create layered texture on her work. She also explains her darting technique for creating a slab-built platter.
Texture in clay can be addictive. Who doesn’t love pressing objects into a piece of soft clay? And why stop at the handles? As Annie Chrietzberg demonstrates in today’s post, textured slab handles are a great way to carry texture throughout a piece – plus they are less messy than pulled handles and can provide instant gratification. Have a look!
Denver potter Annie Chrietzberg demonstrates her creative technique for making nesting pots from slab-built forms. This step-by-step how-to project illustrates how to use tart tins from a kitchen store as templates, how to cut darts in slabs to make square forms and how to work with textured surfaces to get truly unique dishes.
In today’s post, Paul Donnelly takes us through
his handle-making process. It’s a great alternative to pulled handles
because it cuts down on the mess and the drying time, and still makes
lovely, elegant handles. – Jennifer Harnetty, editor.
Necessity is the mother of invention, as the saying goes, and Paul Donnelly’s tea trays are a prime example of this. Today, Paul Donnelly explains how he makes his tea trays using a combination of wheel throwing, press molding and slab-building techniques.
In today’s post, Annie Chrietzberg explains a clever hanging system that potter Christine Boyd developed for her functional work so it could be hung on the wall when not in use. She also describes the home-made tools Christine invented to make the system easy and quick to construct.
So, you’ve built up a solid body of work and you feel ready to take the plunge into finding gallery representation. But where do you start? We get these types of questions a lot here at CAD, so we decided to gather up some information from established artists and gallery owners and make it a free download for our readers. Today, I am presenting an excerpt in which Annie Chrietzberg gives some tips for figuring out what galleries want.
Annie Chrietzberg explains Lana Wilson’s process for decorating pottery with colored slips and shares the clear cone 6 glaze recipe she uses to finish these pieces.