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Greenwich House

Today's Ceramic Arts Daily Feature

March 19, 2010

by Keith Phillips   Read Comments (23)

In this video clip, Keith Phillips shows us how to make a thrown and altered classic American butter dish. It's a fun project involving both thrown and handbuilt components. As Keith explains, butter sizes vary depending on your location, but his idea can be adapted to whatever size you need. Watch the video!

Recent Features

March 17, 2010

Not even Jenny Mendes herself can explain the mystery of how her imagery makes it out of her subconscious and onto her clay tile paintings. But she can explain the technical details of scratching her drawings into moist clay and layering various colors of terra sigillata to create her rich illustrations. That's exactly what she does in today's post. Enjoy!

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March 15, 2010

Combine cast and handbuilt parts without the fear of different shrinkage rates. Paul Wandless demonstrates how to make a casting slip from your everyday clay body.

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March 12, 2010

In today's video, an excerpt from Pottery Decoration: Traditional Techniques, potter Tom Shafer demonstrates a version of the nerikomi technique. Nerikomi (often referred to as “neriage”) is a decorative process established in Japan that involves stacking colored clays and then slicing through the cross section to reveal a pattern, which can then be used as an applied decoration, or in this case, to build a form on a plaster mold. Watch the video!

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March 10, 2010

What if you could get the results of firing in a traditional anagama kiln in a quick-firing, compact kiln that produces very little smoke? In today's post, an excerpt from Japanese Wood-Fired Ceramics, Masakazu Kusakabe and Mark Lancet explain the concept behind the Sasukenei Smokeless Kiln. Plus, we've thrown in a couple diagrams in case you'd like to build your own.

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March 8, 2010

Today's post is a sample from our new section Ceramics Monthly Master Class. Simon Levin  explains the importance of critiquing your ceramic work, a skill that is often stressed at the college level, but is good to learn and practice at any stage of the game. Simon explains his "Suck Factor" method of gauging a piece's success and gives some sample critiques on his own work.

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March 5, 2010

Throwing off-the-hump is a very helpful technique if you are making a series of a form. You only have to center once so you can really get into a rhythm, which makes it easier to repeat the same size and shape. But as Jerry points out in today's video, it is also a fun exercise for experimenting with variations on a form. Watch the video!

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March 3, 2010

Woodstock, New York, ceramic artist Meg Oliver make simple plaster texture stamps out of found objects. To make the stamps she uses to create texture on her pottery, Meg usually takes a nice walk in the woods and picks up objects that will make interesting marks in clay . Then, she uses pinch pots and plaster to transform them into fun, free-form stamps. I thought this would be a great project for spring!

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March 1, 2010

If you enjoy hearing the perspectives of other potters, you'll really enjoy our latest free gift Contemporary Functional Pottery: A Discussion of Handmade Pottery by 11 Working Potters. Today, we are presenting an excerpt from it in which Tina Gebhart discusses what it means to make functional, utilitarian pottery in the contemporary world.

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February 26, 2010

In this clip, Meira Mathison, and Tom and Elaine Coleman talk about some of their favorite tools, such as the "can't live without blanket." Intrigued? Check out the video here!

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February 24, 2010

In today's, Month in Clay post I am highlighting a couple of the events that are taking place in conjunction with the he National Council on Education for the Ceramic Arts conference, plus, a few other interesting clay events from elsewhere around the globe.

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